Another thing that fascinates me in the steady stream of YouTubes and Vimeos is how theatrical pacing is second nature for even the most naive of participants; the unwitting subject, the child performing magic, the pet doing tricks. I’m speaking specifically of the pacing of one’s set, the initial reveal of intent leading to the steady unveiling of minor amazements, and when these fade the crescendo into a spectacular climax and dénouement.

Not sure if anything’s changing here, or if I’m just seeing more performances. Probably we all internalize these things the first time we see fireworks.